Hangs like hell!
Finally, our Byzantine group work was hung and of course we have posed proudly for a photo.
Founder of this blog and into mosaics since my studies in Naples, Italy. I have an M.A. in Cultural studies and spent two years in Spilimbergo in North Italy at Scuola Mosaicisti del Friuli for a fulltime mosaicista training. Back in Düsseldorf, Germany since 2015, I now make, teach and write about mosaic art. Yoga and running help me clear my mind and whenever I can I travel – if possible to meet new faces for the section 'People' in this blog.
Finally, our Byzantine group work was hung and of course we have posed proudly for a photo.
One of the most beautiful projects so far at school due to its simplicity and experimental approach: the Ikebana interpreted by us in mosaic.
Along with the wonderful Ruth Minola Scheibler, I offer two workshops on andamenti and color theory in September in Cologne, Germany!
Nearly 150 square meters of iridescent, matte and transparent pieces of glass with names like Ginger, Apple and Avocado are installed by us here in Geneva.
The Japanese art of flower arranging serves as inspiration for a 3D mosaic that incorporates foreign objects.
A nice trick to work precisely when combing direct and indirect method without too much effort of preparation is to use a template made out of dough.
Our approach to modern mosaics is an interpretation of Mucha’s ‘Pole Star’.
Inspired by fabrics and textures of tissues and ceramics, Michela creates patterns and shapes with traditional materials like marble, pebbles and smalts and combines them with plastic.
Thank you for reading, commenting, asking, sharing – in short enriching – this blog!
2014 in Spilimbergo ended with a little challenge!
A week before Christmas break, devil, snakes and condemned souls meet in our mosaic.
With her story Why I changed 9 to 5 with a mosaic hammer, Miriam Bastisch wins the 5th prize of the ERGO online contest “Dein Weg”….
Citrone, Limone, Ambra and Gaggia. No, these are no Italian ice-cream flavors, but only some of the nuances you can use when working with gold smalti.
Freshly framed, I finally handed it in this week: My contribution for Musiva, a school internal competition of Itineraria.
Family company, decent working hours, good salary, canteen with freshly cooked food, nice colleagues. All seemed perfect. But that was not me.